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One of them was about a babysitter I had, Helga, a German army wife who I realised in retrospect was also a prostitute. "I would tell Stephen stories about my life. It's probably never happened before or since that Fassbinder was an ice-breaker."Īfter going to see each other's work, a creative partnership was formed and the characters began to emerge. Stephen was probably coming on to me and moved to one seat away and plopped a Rainer Werner Fassbinder biography on the seat between us. I had a few characters I was thinking about and I met Stephen Trask on a plane. Hedwig's co-creator, original star and director of the film John Cameron Mitchell tells BBC Culture, "I wanted to write a musical that was rock and roll with a punk edge, I'd seen a lot of so-called rock musicals that didn't feel authentic and I knew that the myth of the origin of love from Plato would be the central metaphor. The path to creating Hedwig began with, of all things, a biography of a New German Cinema icon. song that gave her strength was Wig in a Box and she would say: 'I am Hedwig'." She lived secretly and got herself a teacher certificate, becoming a high school teacher. "Recently, a young woman came backstage and told me about her mother, a refugee from El Salvador who in the early 80s trudged through all of Central America on her own to come to the United States illegally. And I have developed friends who started off as fans and John has the same experience." The fandom extends outside of the LGBT+ community or punk rock fans to people from all walks of life. It's a film that I weirdly haven't shared with many people, it feels extremely intimate to me." That intimacy extends both ways, with Trask feeling closely bonded to the fandom: "Whenever I meet a fan, I think, 'oh, that person could be my friend in real life'. I have revisited constantly because it feels to me more romantic and has more to say about love than films that were sold to me as love stories. I thought of it always as a love story, of heartbreak and really intense true love. But the story is so human and fundamental that people can figure out by watching if they are on the wrong path or the right path."įor Anna Bogutskaya, film programmer, broadcaster, writer and proud owner of a Hedwig tattoo, it spoke to her most as a love story. John and I were very much talking honestly about our own journeys and expressing them through this character that in many ways, most of our audience didn't have a lot in common with. "There's a lot of soul searching that Hedwig does about looking for a romantic partner and trying to find wholeness and be recognised for their music and their creativity it's not just a gender journey.
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For Trask that's evidence that Hedwig's enduring appeal is in its universal themes. People would make life choices watching the show". Stephen Trask, co-creator, composer and lyricist of Hedwig, has seen that intense connection first-hand during theatrical performances, telling BBC Culture, "From the stage we would see couples break up and other people would come and get engaged.
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It's a tale that many have a deep connection to, not just because it's hilarious, heart-breaking and has a phenomenal, timelessly cool, soundtrack but also because it taps into the fundamental question of identity and how it's shaped by the relationships we have. Hedwig has their heart broken twice, first by the GI who coerced them into the operation to allow them to marry and emigrate, and then by Tommy Gnosis, who fell in love with Hedwig but then stole their songs and used them to become the rock star Hedwig always wanted to be. The story centres on Hedwig, a singer in a punk-rock band from East Berlin now living in Kansas following botched gender reassignment surgery that left them with an "angry inch". The sci-fi that predicted modern crises
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Twenty years since the movie was released and 27 since John Cameron Mitchell and Stephen Trask first debuted the character at New York nightclub Squeeze Box, Hedwig has been a constant presence, being screened and performed all over the world. The queer punk-rock musical about Plato, the Berlin Wall, love, gender, fame and self-acceptance started first as a stage show before becoming a much-loved cult film with a fervent fandom of "Hedheads" that unwaveringly adore it. Like watching the Moon landing or the moment they locked eyes with the person they love, people remember where they were the first time they saw Hedwig and the Angry Inch.